the hunger games aren’t amazingly unique or flawless or anything but I think katniss as a character is very important and i think the media misunderstands
we aren’t in it for the cute boys. we’re in it for katniss. thousands of young girls were…
I’ve seen a few fashion posts trying to expand the “Marie Antoinette is not Victorian” rant, but this stuff can get complicated, so here is a semi-comprehensive list so everyone knows exactly when all of these eras were.
Please note that this is very basic and that there are sometimes subcategories (especially in the 17th century, Jacobean, Restoration, etc)
And people wonder WHY I complain about History/Art History periodization. Note how much overlap there is to the above “eras”, and how many exceptions and extensions there are to these categories.
Oh, and by the way…
Because you wouldn’t want to be historically inaccurate.
Holy shi—the middle lady in the Victorian pic looks like my godmum! And the lady, on the right, in the Edwardian one looks almost like she could pass as one of my relatives!
…this is so eerie…but cool.
^^And that’s a big part of the reason why I do this. Everyone should be able to see images like these and feel like they, too, are a part of history.
People can quibble about minutiae as much as they’d like, and I honestly don’t mind the discussion, but when it comes down to it, medievalpoc is really about making an immediate visual impact that has changed how I view history, and I hope the same can be said for people who read these posts.
I was going to scroll past this post, thinking ‘Ho hum, English history, blah blah blah’, but then I kept reading and saw the reblogs and, ‘HOLY SHIT! BLACK PEOPLE!’
I was driving past a business here in the Houston Heights, when I glimpsed this painted on the side of the building. I recognized that iconic WWII poster before I realized it was not just any woman, but 14 year old Malala Yousafzai, the Pakistani girl who was attacked for wanting an education. The words next to her are her quote, ( “I don’t mind if I have to sit on the floor at school.) All I want is education. And I’m afraid of no one.”
This is gorgeous.
Is this Pikmin.
i don’t actually hate people it just exhausts me being around them for extended periods of time even my friends it’s nothing personal i just actually like being by myself yo
you can take one man’s trash to another man’s treasure but you can’t make it drink
Fun fact: the blending of idioms or cliches is called a malaphor.
My personal favorite is “We’ll burn that bridge when we get to it.”
I looked it up b/c that was a very familiar idiom and how could it be wrong but then
yeah wow that’s spot on perfect
I cry during every Harry and Sirius scene in Order of the Phoenix
Andrew and Emma photobombing each other ♥
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Logan and Veronica Appreciation Week
Day 3: Favourite Season - season one.
From enemies to friends to lovers.
us // regina spektor
we’re living in a den of thieves
rummaging for answers in the pages
we’re living in a den of thieves
and it’s contagious
Tumblr has it bad for Sebastian Stan